Unreal How Real These Look

Unreal How Real These Look
modelcars1 livingwitness.net

modelcars1 livingwitness.net

modelcars1 livingwitness.net

modelcars1 livingwitness.net

Amazing Miniature Scenes Shot with Model Cars, Forced Perspective and a $250 P&S

  • DL Cade · Oct 14, 2013
  • Model maker/collector and photographer Michael Paul Smith is a master at recreating incredibly accurate outdoor scenes using his extensive die-cast model car collection and forced perspective.Mixing up miniature cars, detail items and buildings into a scene whose backdrop is the real world, he shoots the gorgeous miniature vistas of the town he has created and named “Elgin Park” — and he does it all with a cheap point-and-shoot.

    Elgin Park is some 25 years in the making, as are Smith’s modeling and diorama photography skills. In an extensive interview with Fstoppers, he describes his tools, his process and the minute attention to detail that creating these scenes requires.

    Ironically, Smith has diagnosed himself as “math challenged,” so when it comes to properly framing the forced perspective, he simply eyeballs it. Years of experience have led to an uncanny ability to do this right on the first shot, but if he doesn’t, he simply goes up and unceremoniously drags his table/models into the correct spot.

  • The most intriguing part of Smith’s creations, however, isn’t how insanely detailed these models are (some of the cars have seats that move on rails and glove compartments that open and close) or even the fascinating process that he goes through from idea to final product.The most intriguing thing is that he does this entirely outdoors, using natural light and a 14-megapixel Canon SX280, which goes for about $250 online. Before the Canon he used a 12-megapixel Sony, and before that a 6-megapixel Sony that was actually his favorite because, get this, 14 megapixels is too much resolution.

    “14 megapixels is almost too much for what I need to take convincing diorama shots. There is too much information being recorded which makes every little detail show up in the photographs,” he tells Fstoppers. “When working with miniatures, at least for myself, too much detail distracts from the total scene.”